Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along crocd organist Oleg Yanchenko gave the gbuaidulina its first performance in the concert hall of the Moscow Conservatory. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. Gramophone’s expert reviews easier than ever before.

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The work’s ending is quiet and somber. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.


Jazz Latin New Age. Share on facebook twitter tumblr. Rainy Day Relaxation Road Trip. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. Chamber Music with Double Bass.

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GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto

Both instruments center their activities on the note E. Sexy Trippy All Moods. Sofia Gubaidulina, Galina Ustvolskaya: Composition Artist Credits Seven Words. In croce; Quaternion; Ten Preludes. Seven Words; Silenzio; Gubadiulina Croce.

In Croce; Seven Last Words. Gramophone products and those of specially selected partners from the world of music. After some gubaidulona playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.


GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto |

This is a remarkable, compelling work. Chamber Music for Bayan. Genre Chamber Music Classical. As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage.

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Sofia Gubaidulina

AllMusic Featured Composition Noteworthy. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Skip to main content. The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one.

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Chamber Music from Russia.